Lost Canyons Golf Club in Simi Valley brings Big Sky Country to southern California

By Jeffrey A. Rendall, Contributor

SIMI VALLEY, Calif -- You won't find much of Montana in southern California. Anyone who's spent an appreciable amount of time in the Big Sky state knows the landscape is as devoid of humans as anyplace you'll encounter in the United States. I'd bet there are plots of ground in Montana where you'll not have a single bipedal animal anywhere within 10 square miles (Sasquatch not included here).

Lost Canyons Golf Club - Sky Course - 7th hole
The setting at Lost Canyons Golf Club feels like you're in Montana or Idaho.
Lost Canyons Golf Club - Sky Course - 7th holeLost Canyons Golf Club - clubhouseSky Course at Lost Canyons Golf Club - 16th hole
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Sky Course at Lost Canyons Golf Club

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The Sky Course is one of two championship courses at Lost Canyons Golf Club. It offers the same level of difficulty as its sister course, the Shadow, but it offers a different variety. Pete Dye and Fred Couples collaborated to design all 36 holes at the club.

18 Holes | Private golf course | Par: 72 | 7285 yards | Book online | ... details »
 

Southern California, on the other hand, is hardly known for its population-free wide-open spaces. Most everywhere you travel, from Ventura on down to San Diego will have its share of human inspired architecture, often bunched together in densely populated streets and neighborhoods. There's plenty of ground there -- it's just got a lot of people on it.

So, something must give when you think about finding the Big Sky in southern California. That's why it's strange when you hear folks talking about Lost Canyons Golf Club in Simi Valley -- comparing it to Wyoming and Montana--not exactly a true fit for the LA Basin.

Rick Adams, Lost Canyons' tournament director and unofficial on-course historian, says Pete Dye and Fred Couples liked the property quite a lot -- in large part because it reminded them of somewhere else: "Dye and Couples were just amazed at the suitability of this property for a couple outstanding golf courses. We decided to call the first one the Sky Course because when you're out there, there's an incredible contrast between the canyon tops and the sky itself. As Fred described it, the setting feels like you're in Montana or Idaho, where the hillsides frame the sky."

That's no exaggeration. The Sky Course at Lost Canyons G.C. offers an up and down journey through Tapo Canyon, with very little civilization in sight. You'll discover incredible canyon views, and one of the most spectacular skies anywhere on a clear day. If the temperature was about 40 degrees cooler and there were some pine trees, you'd be in Montana. But lucky for you -- in southern California, you'll only come across coyotes rather than grizzly bears.

In addition to the 'somewhere else' ambiance, the property played host to the production sets for several notable entertainment shows, Little House on the Prairie and Bonanza carrying the most significant titles. Our forecaddie, Mark Kiernan, pointed to a group of oak trees that figured prominently in the opening and closing sequences of the aforementioned late-1970s TV show. I almost expected Melissa Gilbert to come skipping down the slope at any moment with the ghost of Michael Landon giving chase.

Golf replaces Walnut Grove and the Ponderosa Ranch in the Lost Canyons. But the secluded feeling still remains.

The scenery does not overshadow the golf course, however. It's not a stretch to pronounce that Lost Canyons was something the Los Angeles area desperately needed -- a world-class golf facility, open to the public. Having grown up in southern California, I'm fully aware of the quality golf courses you'll find there -- but must be a member to play.

Adams puts it succinctly: "The way the golf course is set-up and conditioned, it's like a four-star resort that you'd find in Palm Springs or Monterrey, but it's right here immediately accessible to Los Angeles." In a sense, it puts public golf in L.A. on the map.

The Sky Course and its sister, Lost Canyon's Shadow Course, are two PGA Tour-caliber golf courses. They're severe tests from the back tees, and would make for spectacular television coverage if given the opportunity.

And as is typical for Pete Dye, he placed the layouts in this striking natural environment with as little disturbance as possible. For this reason, both courses sport a significant amount of native vegetation, resulting in a number of forced carries and target oriented shot values.

Both courses deserve special description -- here we'll concentrate on the Sky Course.

As given away by the name, the Sky Course emphasizes upward glances to the heavens. Though I'd say both courses play similarly, they do have some different characteristics. The Sky Course's fairways and greens are much larger than the Shadow Course's, but it also plays 245 yards longer. Rick Adams says you'll try Links-style golf on the Sky, and this is where Couples made his largest contribution. "Couples really helped out by lending his experiences with British Open style Links courses you'd find in the birthplace of golf. For this reason, Fred and Pete Dye worked more on the yardage of holes, rather than their shapes and characteristics."

Adams continues, "That's why many of the par fours on both golf courses are either right at 300 yards or seem about that distance -- with the idea they'd play like some of the great short par fours in Scotland and Ireland, where distance isn't as much of a factor. You'll have the opportunity to drive the putting surfaces, but the closer you get to the greens, the more severe the trouble becomes. They're high-risk, high-reward--but at the same time, for the double-digit handicapper, it gives them the choice of using a three-wood and a pitching wedge into the green on a lot of holes."

Because the Sky plays like a Links course, it's often best to try and land it short of the flag. The course features very slick A4 bentgrass greens, and there's a fair amount of trouble for those who go long -- it's clear that Dye's generous run-up areas on most holes suggests the shot he'd like you to use.

And it's hardly ever wise to mess with Dye's thinking -- you'll lose more often than not. As Adams correctly points out, Dye favors players who command a high fade as opposed to a low draw: "The player who hits a low draw is penalized on a lot of Dye's golf courses, and it's certainly true here. The most severe trouble around the greens tends to be back and left."
In other words, it's a good idea to think before you thump. Don't get lost in the skyward views, play the correct set of tees, sit back and enjoy the view.

The Sky Course starts with one of those short par fours Adams describes above, 325 yards and severely uphill. Bunkers on the left, 220 yards from the tee will catch anything with too much draw. Bunkers on the right are 275 yards from the tee, which leads me to believe they're there to frame the landing area rather than play for anyone but Fred Couples and Tiger.

Two is unquestionably one of the most spectacular par threes anywhere. You'll shoot over a lot of trouble to a green that appears like it's perched on a ledge, with the valley as a backdrop down below. Stunning. Lose a ball? Who cares -- enjoy the view.

Four's an interesting par five. 580 yards and uphill, you'll weave your shots in and out of a canyon in what amounts to a double dogleg. Generous landing areas for all shots make it play tamer than it sounds.

Five, six and seven are the flattest holes on the course, lying at the base of the canyons. A nice stretch of holes -- par five, four and three, respectively -- all distinct, all challenging.

Nine's the Sky course's no. 1 handicap hole, a 485 yard monster dogleg right. If you've got length, the hole plays much easier because most of the challenge lies in carrying the course's only lake. The more you fade, the more water you'll need to carry -- but the shot's downhill, if that makes it any more reassuring!

Moving to the backside, 13, 14 and 15 represent the strongest stretch of holes on the inward nine. Another three, five, four par sequence, you'll start with the 230-yard 13th, which Adams says reminds him of a desert scrub version of Augusta National's 12th. Sure enough, the hole plays downhill to a green that seems to run away from you, bunkers on the right side and a slope to the left.

Fourteen's got the most interesting tee shot on the course -- you're essentially shooting over a hill to a partially hidden, but very wide fairway (shades of Ireland on this tee view). The second shot presents many choices on what club to hit. Once again, the more you risk, the greater the potential reward. Further, pay close attention to the pin placement, as this green is 46 paces deep -- with a tricky slope adding to the difficulty.

Fifteen's name is 'Barranca,' which suits it well, because it appears from the tee like you'll be playing out of it if you're slightly off. Not true -- once again, the fairway's wide, but this hole's green is the smallest on the course and you'll face another carry over 'barranca' to reach the putting surface.

Seventeen's another incredible par three -- this time relatively short at 170 yards. A huge bunker waits short and a pot bunker long if the pin's back left on this huge (53 paces deep) green. Another beautiful view!

Eighteen plays much shorter than its 460 yards would indicate, mostly because you'll get a significant amount of roll on the downhill tee shot. Chock up a three hundred yard drive and add a short iron approach -- then tell your friends you hit driver-nine iron on a 460 yard hole.

That's a pretty fitting close to the Sky Course. Yardage isn't always indicative of what's out there -- and Dye wants you to 'think' your way around. If your cranium's larger than your titanium driver's head, you'll score much better on this course. So, take a trip to Big Sky country in southern California and discover what Pete and Fred have in store for you -- you might just think the Sky's the limit.

Jeffrey A. RendallJeffrey A. Rendall, Contributor

Jeffrey Rendall is an avid golfer and freelance writer. After passing the California Bar in 1994, he moved to Virginia to pursue his interests in history and politics, where he's worked since 1995.


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